Hi Ho – Hi Ho – to the Theatre I go

I got a call on Tuesday night. One of my plays was going to be performed as a staged reading on Saturday night.

I did some rearranging and on Saturday, I was prepared to go to the theatre.

So, I get in my little car and off I go to Oklahoma City. I have not been to this particular theatre before. There is an element of the unknown on these situations: you don’t know where you are going, or what you are getting into, or what the event will be, or who the people will be, or how the play will be performed.

As a playwright, I put words to paper. I create a story. I build the *start* of each character.

It takes a theatre troupe to make a play happen, and it takes real actors to bring the play to life.

On this night, October 13, 2018, I had the experience of seeing REAL actors, inhabit these characters that I had dreamed up, while they performed my play.

I must confess…I made a total fool of myself, gushing over these actors. I probably gushed at them three times each. It was over the top and it was too much. I am used to limiting my behavior when something is bad (not letting on that I am disappointed, etc, not showing criticism in how a play goes down)…but I need to practice some form of restraint when things are too good.

These actors: Richard Ridley and Albert Bostick performed the play so much more fully than I ever envisioned. It was extraordinary. See…there I go again. They were THAT good!

The event was at Carpenter Square Theatre.

There was a reception at 7:10. They had a large offering of international foods in the lobby. While there, they were having a silent auction. The lobby had a showing from a local artist. Already the evening is off to a good start.

The theatre had reserved table seating for the playwrights. This was something I had not seen before, but to have a seat reserved up front. Wow!

The theatre itself is small. The audience is close to the action. As a result, the audience response is immediate. It is right there. The actors have a feedback to play off of.

Five plays had been selected for this play festival. Out of 45 that were submitted, one of my plays was chosen?!? One of my plays that I have submitted EVERYWHERE and has been rejected EVERYWHERE? It has been rejected so much, that I was starting to get a complex. Maybe it wasn’t any good? Maybe I should shelve it. Maybe it didn’t “Translate”. Maybe it was too depressing.

But part of being an artist (part of being a writer) is to say: I have a voice. I have something to say. There is a story here. Let me tell it!

So, with trepidation…I had submitted this play to Carpenter Square Theatre.

Imagine my surprise when a play that has been rejected dozens of times….finally gets…Accepted? Gulp!

I had made arrangements to be free on Saturday. Saturday rolls around. I don’t want to get out of bed. My stomach is upset. I trundle out to my easy chair and put on a Netflix video so that I don’t have to think about the world.

In general, nerves are not a part of my creative experience. If I am performing, be it musically, singing, acting or emceeing, I don’t get nervous. Try as I might, I don’t understand stage fright. I wish could understand it (to help others who do suffer), but I don’t.

The only things that have made me nervous in show business (so far) are playing music at weddings (I freaking hate weddings!) and…being a playwright. That seems to be such an odd situation. Playwright, nerves? I mean…I am not producing. I am not acting in the play. When we had our play performed in May (which also had great acting – 2018 has been the year of good acting) I didn’t have the nerves. I figured….great! I have conquered that issue.  Onto the next issue.

But, nope! All I wanted to do on Saturday was to go hide under the covers.

I didn’t want to gas up the car. Didn’t want to check the tires before the long drive. Didn’t feel like eating. But you need to eat, and then what is that going to do to your stomach? I had one last can of chicken noodle soup and I was panicked thinking I didn’t have any.

But you go. You put on your ritziest outfit and you get your cameras and you go. Because this is what you wanted to do. You wanted to be a playwright, so go be a damn playwright!

Once you are there, in the moment, you get your plate of food, and you sit at your lonely table, apart from the crowd – who all seem to know each other, and you kind of go….”I shouldn’t be here. I’m too small-time. Have I paid enough dues?”

Then people start coming over. This was one of the most welcoming theatre troupes I have experienced. The sense of community in the theatre warms my heart. Because the theatre is not about cliques and exclusion. The theatre is about inclusion.

And…to my extreme surprise…the people in this theatre embraced me. I have spent my whole life as an outsider (mostly by choice). When people include me as a part of them…and welcome me with open arms…THAT is something!

Actor Richard Ridley, Playwright Amanda Ball, Actor Al Bostick.

The play is entitled: The Girl on the Tractor.

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