My name is Amanda Ball, and I am a musician, author and filmmaker. My mom calls me a professional juggler: I grab a project, work on it, throw it up in the air again, and grab another project. I wouldn't trade this life for anything. I write books under the names: Amanda Ball, Dayne Gearner, LeAnn Coston. My band and I make music under the name Ballroom Bruisers. My best friend, Don Krejsek and I make movies together. My mother Karen Ball is an artist and produces my book covers. On occasion, we co-write together. Living a life that is designed for creativity isn't easy, but it's always interesting. Thanks for letting me share my journey with you.
When you are a writer, there is nothing quite like having an actor bring your stories to life.
This weekend, we went to the theatre to see our play, “The Stevens Sisters” performed.
The organizations that presented the play festival are the Town & Gown Theatre and Troupe d’Jour in Stillwater, Oklahoma. The proceeds from the festival went to benefit a local charity called Kickin’ Childhood Hunger.
This was the finest acting that I have seen on one of our plays thus far. It’s wonderful to see how talented actors can bring words to life. Before this, the play only existed as black ink on white pages.
Then you see it live and see it embodied. I don’t care how many times you see your work performed…this does not get old.
Theatre people are fun people! It’s fun to get to be around people who “do what we do”. For a couple of hours this weekend, we saw stories come to life in front of our eyes. The outside world drops away. You forget your troubles. You forget your cares.
“The Stevens Sisters” is by Amanda Ball and Karen Ball. This was the first time that Karen has had the opportunity to see one of our works performed live.
As a matter of fact, it was the first time she has been asked for an autograph!
Actor Shelli Aliff, Playwright Amanda Ball, Playwright Karen Ball, Actor/director Sharyl Pickens.
Long live the theatre!
…negativity all the time
…out the window
Love thy neighbor
…me me me me all the time
…everyone is wrong but ME ME ME
Stand up for one’s self
What Should Be
…the way it is
My new single!!
It’s been awhile since I released any new music. I started working on this song during a huge creative spurt last year. I recorded a demo, and really liked it, but it need some tweaking.
So, what did I do today? Lots and lots of tweaking! LOL And paperwork. And scorewriting. And editing and editing and more editing. Proofreading. Computer work. Computer glitches. Computer file formats. Rendering. More computer glitches.
But here it is.
This is the first time I have released a song that was created in my home studio. If you recall how many times I complain about audio engineering…it seems like it’s amazing that I even got this far. (And yes…full disclaimer..I do comprehend how much farther there is to go – in terms of me learning and being adequate in audio engineering.)
But something about this song captured me from the beginning. It’s one that I play over and over. It touches me on some base level. For me…music is about generating a response in the listener – whether that response is to tap your toes, or dance in your chair, or make a tear come to your eye, or touch your heart in a way that says, “I have felt that way before!”
I guess that’s why I’m not at the top of the charts. It seems to me that modern music has taken away the emotion. Modern music (ie the ‘popular’ tunes that are controlled by mega media companies) has taken away emotion. It seems to have no human connection. It is a commodity – manufactured to the lowest common denominator.
This, THIS is my stand.
Music – no matter what the genre, is about capturing the human condition.
As to the song itself…
every artist needs a muse.
This song is both inspired by…and dedicated to…
You make me smile.
One of our voice over artists has attempted to record the voice over (VO) on his own – with his existing equipment. The quality of his performance was great! But the quality of the audio was lacking.
The solution is to record him with actual audio editing software, so that I could engineer the session, and try to record the best original source material at a clean audio.
We met at a hotel this week, and I had all my equipment with me. (It felt like I had more electronics in the car – than I had left at home! Ha)
Now…the problems: an unknown environment. This hotel has a heating/air conditioning system that has a continuous fan. You can turn the actual air conditioner off, but you still have a background noise. Who knows what kind of interference you might get from any electrical appliances?
And you have walls and objects that are going to bounce sound.
At first I set up a location for him to sit on a chair and talk into pillows. Nope. That ain’t gonna work.
There was a recessed area next to the cabinet where the television sat. I got a hotel blanket and we created a makeshift vocal booth. We positioned a chair very close to the blanket, so that he was facing a blanket and *hopefully* that is going to absorb sound bounce/block the fan of the air conditioner.
Then it took a whole lot of monkeying with the audio software to find the best settings. That just takes time. There is no way around it. Do an audio test. Adjust. Test again. Adjust.
Finally we arrive at what…(I hope) is a good setting. Again, with audio engineering, there is no “one best way”. You make your best guestimate, and you dive in.
When you engineer a session like this…it takes all your concentration. It takes all your focus. So rather than me running the alternate lines, we had a volunteer who, ever so kindly, offered to help (ie–she said she was leaving the hotel room for us to work and I am going…NOOOOO! You have to stay and read lines!)
Her lines will not be used in the final recording. But it is critical to have someone help out in this way…to give your voice over artist something to play off of. You get a rhythm in your dialog, and having those lines spoken aloud really helps.
Bless him…Tommy Ball read take after take after take after take.
He put so much effort into this: first of all–being willing to take the gig in the first place. Then you learn your lines. Then you craft a ‘performance’ of how to sell your character. Then, you attempt to record your work in your own home on your own equipment. Whew!
Mind you – the other voice actor recorded his lines in my studio some weeks back. It’s not like the two voice actors were in the same room – working at the same time, and playing off of each other’s character.
No, it is that much harder – to work solo, to have no idea what the other actor is doing, and still “pull off” the performance.
What is the measure of a good performance?
Well, at our previous session – with different actors, we were outdoors, and the person who is on cam and on mike was so amazing. I glanced behind me, and one man had his hand over his mouth and his eyes were bulging out, trying to stifle laughter while we were recording.
This time?? Tommy “sold” that character soooo well, I had to clap my hand over my mouth to hold back the laughter, and hope like heck that I hadn’t made any noise that would ruin the take!
We have had so many volunteers, giving freely of their time and effort and energy – to help a movie get made.
But things are progressing.
“Head ’em up…move ’em out!”
Things are progressing on the post production of the movie.
A lot of the work involves us at a computer. Not a lot to blog about there, and that kind of work doesn’t seem to make for fun stories.
But…on occasion…you get to work with talented people who sure do make you smile.
Cowboy poet, Sam Wylie, entertained us with cowboy poetry. All along, I thought how neat it would be if we could include some of his poems in the movie.
I asked Sam, and he said yes, he’d participate. We arranged to meet at 10 am. At 9am, I am out on my porch, and the weather was nice and the wind was calm.
Then the wind hit. And a cold front. And lots of wind noise. We wanted to film outdoors, so we went to Carmen’s (the trail boss) horse barn, and used it to block the wind.
Sam (on the left, above) reads a poem, while Sonny Harrison (right) listens. Both of these men were drovers on the cattle drive.
Sonny gears up to read a poem.
We made it for an hour, working outdoors in that cold and wind. I didn’t want to stay out that long, but it was so much fun, working with these talented men, I kept asking them to do additional readings and additional locations.
We came back to my home recording studio, to record the cowboy poetry in some sort of controlled audio environment.
Sam Wylie reads his poetry in studio.
The whole session went well. It’ll be fun to see how all this comes together: video, audio, music, sound FX, voice over, poetry…the list goes on and on.
Mother nature sent us some beautiful pictures this evening. I didn’t even know there was a rainbow. I stepped out to see if it was still raining. Then I ran to get my camera!
This is Elvis week. We lost Elvis 40 years ago today. He was the best of all time. The best there ever was, and the best there ever will be. Late in the night last night, when I wasn’t sleeping, I was surfing youtube. I found this. I had never heard this version before.
This may be the best musical performance in the history of musical performances.
So thank you, sir, for sharing your talent with the world. You are a guardian angel – for those of us mere mortals who aspire to change the world with our song.