Archive for category Theatre
There is one thing that I didn’t anticipate about being a playwright.
The theatre is all about acceptance. It is a safe space. It is about sharing. It is…a community.
Being accepted into this group, fills one with warmth.
I didn’t anticipate this. It is enough to have someone select your play for performance. It is wonderful to be invited to see this performance. It is astounding to know that a whole group of strangers have volunteered their time and efforts to work on your play, and memorize, and practice, and rehearse, and on and on. There are cues for them to learn. They have to set up lighting and sound cues. The stage managers have to set up the stage in seconds – and they have to get it right. The actors have very limited time in the performance venue to get used to the ins and outs, work their blocking, work with their scene partner, and still “sell the performance”.
I am only the playwright. In a sense – I have the easiest job. I sit – (probably in my pajamas) – in my easy chair – with my laptop on my lap. And I write. I can do this at my leisure. On my own time. I can take as long as I want to craft the play. I can rewrite. I can throw out the elements that don’t work. I coordinate back and forth with my writing partner. We bounce ideas off of each other.
It is a thrill when we, as playwrights, get to go to a theatre and see our play performed.
I had such an honor this past weekend at the 2019 Stillwater Short Play Festival. They utilize blind selection, and I consider it an honor that they have chosen our play to be performed. This is the fourth time they have chosen us.
Our play this year is a comedy called “Speed Dating” by playwrights Amanda Ball and Karen Ball. It has four speaking parts – one male and three female.
I had the opportunity to meet two of the performers in the lobby,
Klayton Valega and Veronica Allen.
The other performers in the play with speaking roles were, Sharyl Pickens and Courtney Octoo-Lee. Extras were Jacob Boyd and Archibald Octoo-Lee. The play was directed by Debbie Sutton.
It was fun. I laughed out loud! So did the rest of the audience.
What fun! To see something that began as a seed of an idea, to be brought to full fruition by a group of strangers…strangers who become a group-with-a-purpose and accept me as one of them!
I thank you!
Out of this community, like a spiderweb, lines grow between other plays, groups, peoples, projects, and theatres.
Mr. Valega and Ms. Allen (pictured above) told me that they met because of our play. And because of that, they ended up doing another play in the festival called “Last Dance” by playwright Len Cuthbert.
And, in my humble opinion, this play “Last Dance” was the best play of the night. I had tears in my eyes.
Whether you laugh or whether ‘your eyes commence to puddling up’ – it is The Theatre that brings us together!
Thank you all for including us.
Below are some photos of the day:
We are thrilled and honored that one of our plays has been chosen for the Stillwater Short Play Festival.
The play is a comedy written by myself and my writing partner, Karen Ball.
The festival will be held the weekend of May 4 and 5, 2019 at the Town and Gown Theatre in Stillwater, Oklahoma.
I got a call on Tuesday night. One of my plays was going to be performed as a staged reading on Saturday night.
I did some rearranging and on Saturday, I was prepared to go to the theatre.
So, I get in my little car and off I go to Oklahoma City. I have not been to this particular theatre before. There is an element of the unknown on these situations: you don’t know where you are going, or what you are getting into, or what the event will be, or who the people will be, or how the play will be performed.
As a playwright, I put words to paper. I create a story. I build the *start* of each character.
It takes a theatre troupe to make a play happen, and it takes real actors to bring the play to life.
On this night, October 13, 2018, I had the experience of seeing REAL actors, inhabit these characters that I had dreamed up, while they performed my play.
I must confess…I made a total fool of myself, gushing over these actors. I probably gushed at them three times each. It was over the top and it was too much. I am used to limiting my behavior when something is bad (not letting on that I am disappointed, etc, not showing criticism in how a play goes down)…but I need to practice some form of restraint when things are too good.
The event was at Carpenter Square Theatre.
There was a reception at 7:10. They had a large offering of international foods in the lobby. While there, they were having a silent auction. The lobby had a showing from a local artist. Already the evening is off to a good start.
The theatre had reserved table seating for the playwrights. This was something I had not seen before, but to have a seat reserved up front. Wow!
The theatre itself is small. The audience is close to the action. As a result, the audience response is immediate. It is right there. The actors have a feedback to play off of.
Five plays had been selected for this play festival. Out of 45 that were submitted, one of my plays was chosen?!? One of my plays that I have submitted EVERYWHERE and has been rejected EVERYWHERE? It has been rejected so much, that I was starting to get a complex. Maybe it wasn’t any good? Maybe I should shelve it. Maybe it didn’t “Translate”. Maybe it was too depressing.
But part of being an artist (part of being a writer) is to say: I have a voice. I have something to say. There is a story here. Let me tell it!
So, with trepidation…I had submitted this play to Carpenter Square Theatre.
Imagine my surprise when a play that has been rejected dozens of times….finally gets…Accepted? Gulp!
I had made arrangements to be free on Saturday. Saturday rolls around. I don’t want to get out of bed. My stomach is upset. I trundle out to my easy chair and put on a Netflix video so that I don’t have to think about the world.
In general, nerves are not a part of my creative experience. If I am performing, be it musically, singing, acting or emceeing, I don’t get nervous. Try as I might, I don’t understand stage fright. I wish could understand it (to help others who do suffer), but I don’t.
The only things that have made me nervous in show business (so far) are playing music at weddings (I freaking hate weddings!) and…being a playwright. That seems to be such an odd situation. Playwright, nerves? I mean…I am not producing. I am not acting in the play. When we had our play performed in May (which also had great acting – 2018 has been the year of good acting) I didn’t have the nerves. I figured….great! I have conquered that issue. Onto the next issue.
But, nope! All I wanted to do on Saturday was to go hide under the covers.
I didn’t want to gas up the car. Didn’t want to check the tires before the long drive. Didn’t feel like eating. But you need to eat, and then what is that going to do to your stomach? I had one last can of chicken noodle soup and I was panicked thinking I didn’t have any.
But you go. You put on your ritziest outfit and you get your cameras and you go. Because this is what you wanted to do. You wanted to be a playwright, so go be a damn playwright!
Once you are there, in the moment, you get your plate of food, and you sit at your lonely table, apart from the crowd – who all seem to know each other, and you kind of go….”I shouldn’t be here. I’m too small-time. Have I paid enough dues?”
Then people start coming over. This was one of the most welcoming theatre troupes I have experienced. The sense of community in the theatre warms my heart. Because the theatre is not about cliques and exclusion. The theatre is about inclusion.
And…to my extreme surprise…the people in this theatre embraced me. I have spent my whole life as an outsider (mostly by choice). When people include me as a part of them…and welcome me with open arms…THAT is something!
Actor Richard Ridley, Playwright Amanda Ball, Actor Al Bostick.
The play is entitled: The Girl on the Tractor.